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| Education | 1981 | BA, University of Virginia, Charlottesville, VA | 1981 - 82 | École de Cuisine La Varenne, Paris, France | 1987 - 88 | The International Center of Photography |
Selected Solo Exhibitions |
2009 | Gallery Paule Anglim, San Francisco, CA | 2007 | di Rosa Preserve, Napa, CA | 2006 | Gallery Paule Anglim, San Francisco, CA | 2006 | "Structure and Void," Hosfelt Gallery, New York, NY | 2005 | "Three-legged Inversions," Mills College Art Museum, Oakland, CA | 2004 | "Impermeable," Gallery Paule Anglim, San Francisco, CA | 2003 | University of Virginia Art Museum, Charlottesville, VA | 2003 | "Extruded," Halsey Gallery, College of Charleston, SC | 2001 | Gallery Paule Anglim, San Francisco, CA | 2001 | University Art Museum, California State University, Long Beach (catalog) | 1999 | SECA Art Award Exhibition, San Francisco Museum of Modern Art, CA (catalog) | 1998 | "Black Hose Mountain and Other Works," Refusalon, San Francisco, CA | 1996 | "New Pictures and Sculpture," Refusalon, San Francisco, CA | 1996 | Littlejohn Contemporary Art, New York, NY | 1995 | "Counterspace," off-site project organized by Haines Gallery, San Francisco, CA | 1994 | PHOTOS Gallery, San Francisco, CA | 1990 | The Friends of Photography at the Ansel Adams Center, San Francisco, CA |
Selected Group Exhibitions |
2008 | "The Space Between", ICA, San Jose, CA | 2005 | “Anoka Faruqee, Gay Outlaw, Shirley Tse,” Raid Projects, Los Angeles, CA | 2003 | “The Gray Area, Uncertain Images,” California College of the Arts, Wattis Institute, San Francisco, CA |
2001 | "Active Ingredients," Copia: The American Center for Wine, Food and the Arts, Napa, CA (catalog) | 2001 | "Personal Abstractions: Lee Bontecou, Gay Outlaw, Diana Cooper," Sculpture Center, New York, NY |
2001 | "Making the Making," Apex Art Curatorial Program, New York, NY | 1999 | "Gay & Graham," Refusalon, San Francisco, CA | 1999 | "Far from the Soil-- Gay Outlaw & Charles Goldman," Rare Art Properties, New York, NY |
1999 | "Mi Casa Es Su Casa," NOGA Gallery of Contemporary Art, Tel Aviv, Israel | 1998 | "Adopt-a-Highway," Refusalon at Dogenhaus, Dogenhaus Galerie, Leipzig, Germany |
1998 | "PROJECTions," Pusan Metropolitan Art Museum, Pusan, Korea (catalog) | 1997 | "Thirty-Five Years at Crown Point Press," California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, CA |
1997 | "Stirred, not Shaken," Refusalon, San Francisco, CA | 1996 | "Food for Thought," Kohler Art Center, Sheboygan, WI | 1996 | "Inside: The Work of St. Clair Cemin, Joel Otterson, and Others," California Center for the Arts, Escondido, CA (catalog) |
1996 | "Photogravure - A Survey: 1903-1996," Marlborough Graphics, New York, NY | 1995 | "Division of Labor: Women's Work," The Bronx Museum, New York, NY | 1995 | "Gravure Group," Crown Point Press, San Francisco, CA | 1995 | "Inscrutable Objects," Ansel Adams Center, San Francisco, CA | 1995 | "(dis)still(ed) lives," Houston Center for Photography, Houston, TX | 1994 | "Bad Girls West," UCLA Wight Art Gallery, Los Angeles, CA | 1993 | New Langton Arts, San Francisco, CA | 1992 | "John Cage," Jernigan Wicker Gallery, San Francisco, CA |
| Selected Commissions |
1998 | "Dark Matter Redux," sponsored by the Djerassi Foundation, Woodside, CA | 1995 | "Tinned Wall / Dark Matter," Yerba Buena Center for the Arts, San Francisco, CA commissioned by the Wallace Alexander Gerbode Foundation |
| Selected Collections |
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| Achenbach Foundation for the Graphic Arts, California Palace of the Legion of Honor, San Francisco, CA |
di Rosa Preserve, Napa, CA | San Francisco Museum of Modern Art | University of California, Berkeley Art Museum and Pacific Film Archive |
| Selected Bibliography |
Kenneth Baker, "Dodging and disguise in Gay Outlaw's artworks," San Francisco Chronicle, February 14, 2009, pp.E2, C5. | Castro, Jan Garden, Sculpture, November, vol. 25, no. 9, pp.75-76. | Morris, Barbara, "Gay Outlaw at Mills College," Artweek, November 2005, vol. 36, issue 9, pp. 17-18. | David Pagel, "Everyday Objects, Concisely," Los Angeles Times, December 5, 2001, p. F2. | Kathan Brown, "Gay Outlaw Trial Patterns," Overview Crown Point Press Newsletter, Fall 2001. | Grace Glueck, "Personal Abstractions," New York Times, February 16, 2001, p. E2. | Karen Levine, interview, Open, SFMOMA magazine, no. 1, Winter/Spring, 2000, pp. 44-7. | Karen Kerston, "Gay Outlaw and Laurie Reid," Zing Magazine, vol. 3, no. 11, Winter 2000, pp. 222-3. | Susan Marquez, "Food Glorious Sculpture," World Sculpture News, vol.6, no. 1, Winter 2000, pp.36-7. | Ken Johnson, "Charles Goldman and Gay Outlaw," New York Times, June 11, 1999, p. E2. | Mark Van Proyen, "San Francisco: e-mail," Art Issues, no. 57, March/April, 1999, pp.32-3. | Apollinaire Scherr, "Over There," East Bay Express, January 29, 1999, p. 33. | Betty Klausner, "Gay Outlaw at Refusalon," Art in America, no.7, July 1998, pp.103-4. | David Hunt, "Gay Outlaw at Refusalon," Sculpture, vol.17, no.6, July/August 1998, pp.66-7. | David Bonetti, "Different Styles, Different Scales," San Francisco Examiner, January 29, 1998, p. C1. | Kenneth Baker, "Outlaw's Sculptures Literal," San Francisco Chronicle, January 22, 1998, p. E1. | Glen Helfand, "Gay Outlaw," San Francisco Bay Guardian, January 14, 1998. | Donna Schumacher, "Gay Outlaw, Public Sculpture at Center for the Arts Theater Plaza," Art Papers, vol. 20, November/December 1996, p. 44. | Kenneth Baker, "Expressionism, Without All the Self," San Francisco Chronicle, November 14, 1996, pp.C1, C5. | Glen Helfand, "Witness: Art in the Urban Landscape," West Magazine, Spring 1996. | Randal Davis, "Defamiliarized Zone," Artweek, vol. 25, no.11, June 9, 1994, p.19. | Darwyn Marable, interview, Photo Metro, 9, no. 86, February 1991, pp.3-9. |